We hold science and religion in separate intellectual spaces for important reasons that have been developed and refined since they were deemed distinct. However, opportunities to engage audiences and expand understanding get left on the table when we consider the dual reality that 1) scientists struggle to communicate the importance of their work, and 2) people are captivated by stories of faith and wonder. This examination of advocacy art – artistic works that advocate for environmental change – explores this opportunity from a humanistic perspective where a broader, more holistic story about freshwater concerns from the intersection of religion and environmental activism offers insight into new pathways for scientific inquiry and public engagement.
Focusing primarily on Florida’s environmental movement, I present a humanist perspective and explore how shifting narratives require a holistic approach to understanding our waters. For years, artists have played an integral role in activism and the dissemination of research when it comes to the protection of natural areas. This has been particularly important in Florida as photographers, painters, sculptors, directors, and writers capture the beauty of Florida’s water. Whether overtly political or not, lyrical words like those within Marjorie Stoneman Douglas’ iconic Everglades: River of Grass (1947) or images of freshwater springs from photographer John Moran change how we talk about, think of, and engage with Florida’s waters. Work that provides insight into the spiritual and sacred elements of these places help reveal some of the mystical essence that captivates people while also bringing attention to research and advocacy efforts. Because of their humanistic origins, artists’ views—regardless of how different, unusual, or far-fetched— are not overlooked by public audiences, rather they are considered by viewers in ways that transcend politics and invite the public to consider deeper ways of engaging with water.